Showing posts with label jean-marc foussat. Show all posts
Showing posts with label jean-marc foussat. Show all posts

Thursday, October 15, 2015

MarsaFouty, Concerts

Jean-Marc Foussat is one of the most inventive and important electroacousticians on the European avant-improv scene today. Fred Marty is a double bassist of distinction. MarsaFouty is the combination of the two together. Concerts (FOU CD 011) consists of two long live performances of the duo at the beginning of this year.

It is a explorative program of subtlety and wide sonic expanse. Foussat generates a soundscape of altered acoustic and electronic events via analogue synth and other devices. Marty responds with bowed and pizzicato bass improvisations that extend the panorama and create independent lines and textures. The result is live new music in the advanced realm, more so than "jazz" per se.

These two performances bring us two contrasting essays in timbre and flow, "psychoactive" two-way interactions that give the listener a sort of narrative in abstractions, a story of a non-verbal situational sort.

As such this is an excellent contribution to the now decades-old tradition of spontaneous new music compositions that we can trace back to MEV, AMM, Il Gruppo, and perhaps some of Stockhausen's group electro-improvisations from the '70s. MarsaFouty go their own way with this "tradition" and give us a satisfying and fascinating narrative panorama.

If you are not familiar with this sort of new music, this may startle you, as any of it would. But it is well inspired and effective, poetic and dynamic whether you are an experienced listener in this realm or a beginner. It gives you a good start if you are new to it all; it provides you with a fine addition if you are an acolyte.

Happy listening!

Friday, October 3, 2014

Jean-Marc Foussat, Sylvain Guerineau & Joe McPhee, QUOD

Avant electronician Jean-Marc Foussat has formed a trio of three and set them loose on the dynamically engaging QUOD (Fou CD 05). Open-form freedom improvisation is the order of the day as Jean-Marc mans the synths, the great Joe McPhee has his say on soprano sax and Sylvain Guerineau complements the both on tenor sax.

Out music is the goal and they get there from the beginning. Foussat provides a masterful mix of timbral projections that sets up the horn soloists and furnishes an inventive orchestral electronic backdrop for Guerineau and McPhee to give us their best.

This is full-blown modernism at work. Guerineau keeps up with McPhee in an impressive way, McPhee lets his improvisational instincts take him far afield, and Foussat shows a keen ear for what electronic sounds will work best for the three-way dialog.

Now I could rattle on almost indefinitely about the spontaneous generation of excitement and soul here, but I don't think it would be necessary. All three interlock and do some of their best work.

If you go for the free, the out, and the electronic, this will ring your chimes for sure. It may be a sleeper, but listen a few times and you surely won't be one!

Highly recommended.