Showing posts with label ursel schlicht. Show all posts
Showing posts with label ursel schlicht. Show all posts

Friday, February 18, 2011

Ursel Schlicht and Reuben Radding: Einstein's Dreams


Ursel Schlicht, pianist, composer, educator, we have seen via a number of postings here and on the guitar site; bassist Reuben Radding should also be no stranger to regular readers of my blogs. They both in their own way have strongly original approaches to improvisation, which their CD collaboration Einstein's Dreams (Konnex 5165) well attests.

This is a full set of improvisations captured live at Location One, NYC, in 2004. The two run through an inspired series of freely improvised spontaneous compositions. Interplay is excellent, while each manages to bring out a concern with sound and texture they both are known to espouse. The approach may be familiar but the outcome is not. I find Ursel's pianism to be of a very high order. She is ultra-modern without relying on what others have done for inspiration. Beautifully complex chords, melodic gems of irregular phrasing, dynamics, and an ever-inventive musical imagination is what she is about. Reuben is a perfect counterpart. He listens and creates consistently interesting counterlines. She takes in what he is doing and responds accordingly.

The Schlicht-Radding way is marvelously subtle yet never lacking in vitality.

This is so-called "free" music of a stubbornly self-determined sort. It goes where it may, not willy-nilly, but with a clear vision of what it can and does become.

Discover these two weighty improvisers on this disk and you'll be happy for the experience, I would think. I look forward to what the two of them will be doing in the near future. Bring in an equally inventive drummer and some kinetic magic is bound to occur. In the meantime the magic is there already, as heard on this fine offering.

Thursday, September 9, 2010

Ursel Schlicht, Steve Swell and Sound Quest, 2001


I first came across pianist, improv-composer Ursel Schlicht in a concert posted on the web. I think it was WKCR's old site. It was Ms. Schlicht and windologist-flautist Robert Dick in duo. I liked what I heard. One thing led to another and I hold in my hand the jewel case for Ursel Schlicht/Sound Quest's 2001 CD Implicate Order (Cadence Jazz 1140). This consists of a live appearance of the group in Kassel, Germany.

It's a good lineup: Schlicht of course on piano, the master Steve Swell on the trombone, Ken Filiano, bass, and Lou Grassi, drums. They are joined by Martin Speicher on alto for one number.

This is the sort of improv collective that can do the rolling thunder or quiet down for a new music sort of give and take. Ursel's piano has a nicely burnished tang to it. She plays interesting lines that stretch the harmonic-tonal base when there is one, and otherwise puts together thoughtful, well-considered phrases. The pieces are all band collective improvisations with the exception of one Schlicht composition, which is quite interesting.

Steve Swell sounds great throughout. Ken Filiano and Lou Grassi give you a free rhythm section that listens and strikes out on its own as well.

Highly recommended. Go to www.cadencebuilding.com and click on the CJR link to get more details on this recording. They also have one on CIMP, which I most definitely will want to be hearing. Stay tuned.