What strikes one on first hearing is the nicely realized combination of reeds and electronics, how they work in synchrony and evolve organically with vivid sound panoramas that retain a poetic quality and unfold with a linear thrust. The multi-layered Foussat electro-acoustics form ever-varying dramatic platforms against which Petit's limber and aurally sophisticated reed sonics comment and complement the proceedings creatively and with vivid character.
Each of the four mostly long pieces forms an acoustically advanced poetic whole that has a concerted flow and a conversational agility, a cosmic sound depth, an evenamental thrust, a marked periodicity.
It reminds us that Jean-Marc Foussat is one of the significant leaders and innovators in electro-acoustic improvisational new music today, but also that Jean-luc Petit is a wind-master with a full sound-color pallet and a fertile improvisational imagination.
Get this one for a full-blown journey into the outer realms. There is a consistent realization of long-formed outness that retains your interest and satisfies your craving for the new and futuristic sounds of today! Very recommended.
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