Tuesday, November 15, 2016
Andrew Cyrille Quartet, The Declaration of Musical Independence
Bill Frisell is here, a dynamo of electric guitar finesse and power; then there is Richard Teitelbaum, a pioneer of new jazz as a synthesizer proponent and a formidable pianist. Ben Street may not be as well known, but his double bass role on this album is exactly what is needed.
Andrew sounds as beautiful and as innovative as ever. Everything he does lays just right, whether it be as the open free time melder for the quartet or as a profound if all-too-brief soloist. This is about the group sound more than as a vehicle for him to show us his singular brilliance, but he nevertheless manages to give us a major statement on the drums as the music forges on with great presence.
There are originals by Frisell, Teitelbaum and Street. They give structure and purpose while allowing plenty of room for individual and group soloing of a high level. Then there are four-way free improvs that stand out for their special sonics and electricity.
It's a free and voltage-tapped music that gives everyone space and ambient direction of which they make ideal use. The result is startlingly unique and reminds us that the use of some electricity can still give us every bit of the open subtlety of an all-acoustic date.
I cannot recommend this one more strongly than I do here. This is one of the more profound avant jazz releases of the year. Hear it!