One of the signs of a classic jazz composition standard is its longevity. Wayne Shorter's Blue Note compositions were a product of the mid-sixties yet we find that many of them continue to be played today and sound as fresh as ever. Another good omen is the work's ability to thrive in contrasting versions and still maintain a strong identity. A few months ago I covered Denny Zeitlin's excellent solo piano interpretations of Shorter classics (type Zeitlin's name in the search box for that review). Now we get to appreciate a Brazilian Samba Jazz treatment of some of Shorter's most memorable songs, on pianist Antonio Adolfo's Hybrido, From Rio to Wayne Shorter (AAM D711).
Antonio Adolfo comes through with excellent Brazilian Samba-tinged arrangements of eight Shorter classics, plus his own "Afosamba." The idea of "HYBRIDO" is to find fertile meeting ground between the jazz samba tradition and classic progressive jazz as embodied in Shorter compositions. Adolfo plays piano throughout, very nicely and movingly, something we have happily come to expect of him. And he has selected Brazilian musicians who can and do bridge the stylistic gap with some excellent soloing and ensemble playing. So we have the electric guitar of Lula Galvao, the double bass of Jorge Helder, the drums of Rafael Barata, the percussion of Andre Siqueira, trumpet of Jesse Sadoc, tenor, soprano and flute of Marcelo Martins, and trombone of Serginho Trombone, along with single guest appearances of vocalist Ze Renato and acoustic guitarist Claudio Spiewak.
It is a joy to hear these really fetching arrangements, both classically Brazilian and outreaching into the present and future. Shorter gems like E.S.P., "Deluge," "Footprints," and "Speak No Evil" sound brilliantly fresh in Adolfo's inspired arrangements. And there is time to stretch out and get good soloing from all concerned. Adolpho takes a rewarding share of the soloing and sounds just right, but then so do the others.
From Rio to Wayne Shorter is one of those albums where everything comes together very strongly. Any fan of Shorter's music and/or anyone who loves the Brazilian jazz of today will no doubt find this album much to their liking. It's a winner on all counts!
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