Wednesday, May 17, 2017

Jason Anick & Jason Yeager, United

In today's realms of "serious" music, including the art of jazz, nothing is absolutely given. That means that anything is possible, even if some pathways are not exactly welcomed by a large segment of the music listening public. We who make and/or cover such musical roads may need to learn that an isolation from the mainstream of musical and verbal discourse becomes more and more a reality, a condition that one must either accept as a fact of life or take an unappealing turn to the popular.

Neither this writer nor the music he covers today is about to "sell out." Yet in fact the music has the ability to garner a wide appeal if things were different out there. Maybe it will after all.

I speak of the collaborative teaming of  violinist Jason Anick and pianist Jason Yeager on the album United (Inner Circle 067CD). It consists of some evolved originals by Anick and Yeager, some selected compositions by Zbigniew Seifert, plus Harrison's "Something" and Miles' "All Blue."

There is a slight classical element to be heard in the originals but a pronounced contemporary jazz center that shows off the very focused abilities of Anick and Yeager, a rhythm team (alternating, two different ones) and some guest appearances by trumpet and saxophones.

The spotlight is squarely on the two in fascinating interplay. If the material reminds of Burton or Corea in classic phases, perhaps that has something to do with the Berklee nexus of the players? I does not matter. What counts is the beautiful musicianship of the team and how they extend and interpret the compositions in a total gestalt of intertwining poetics.

Anick is a hell of a violinist and Yeager a wonderfully alive pianist.

It's all good.

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