Thursday, March 2, 2023

Sara Caswell, The Way to You

 

Every so often I catch up with somebody who I have missed in the years of isolation I have endured when some significant miles away from the urban centers of Jazz. Happily I have recently connected with such a luminary in violinist-Jazz composer Sara Caswell and her quartet in her first outing as a leader in more than 17 years. It is the album entitled The Way to You (Anzic Records ANZ-0085-02) and I am very glad to have gotten to know it in the last few weeks.

If you go back a few years in your listening it might strike a resonance in you if I say that this music reminds me nicely of the sort of lyrical melodic jazz that was practised by Gary Burton in his fertile middle period with Steve Swallow, Keith Jarrett, Sam Brown, violinist Richard Green, etc. Then also some of the more memorable early ECM records by Eberhard Weber come to mind as well. Sara and her tight-loose sympathetic quartet bring you significant performative elements that set off the songful niceties of Sara's pieces with a Jazz immediacy that gives them vibrant life.

Sara's violin understandably is a central component of it all and a marvelous voice for Jazz it is. She handles the written-melodic and the improvised passages with a special ease and beauty that sets her apart. But then a critical voice in it all too is electric guitarist Jesse Lewis in a sport of post-Friswellian post-Abercrombie-like universe makes for especially attractive ballsy lyrical flow soloing throughout. Ike Sturm is a marvelously anchoring bass component who can give us a lovely solo too without hesitation. Drummer Jared Schonig has a loose Swing-Rock feel that sets each piece apart and breathes periodic charm always. Finally on about half of the numbers here the quartet is joined by vibist virtuoso Chris Dingman to give us that classic Rock-Jazz interwovenness we have so happily heard in years gone by on Burton albums, etc.The program of originals and nicely turned cover arrangements stand out as terrific vehicles for Sara and the artists to shine forth.

When it comes to this kind of expressive  harmonically impressive fare I must say it is the very nicest sort of music in this style that I have heard in years. Very recommended.

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