Allen Lowe, In the Dark

 

Allen Lowe has it all going for him in terms of artistry--his saxology, his Jazz composing brilliance, his determined directionality, his historical grasps and insights. Alas his health has not been with him lately with a malevolent cancer and many operations under his belt The good news is that he is back with two new releases that mark him as reassuringly continuing to excel and flourish. 

Today a good look at his more ambitious undertaking, the multiple CD project dubbed In The Dark (ESP-Disk 5080 3-CD) featuring the Constant Sorrow Orchestra. His bandmates are an interesting choice for a stylistic diversity and a wide period coverage of post-eclectic, wholistic Jazz expression from quasi-New Orleans to Bop to Post-Mingus post-Blues and Roots revisited,  ultimately to profundity and beyond. So we have an effective and winning lineup of clarinet great Ken Peplowski in tandem with Allen's eloquent and kicking tenor sax, Aaron Johnson's alto sax and clarinet, Lisa Parrott a most pleasant surprise on baritone, Brian Simontacchi on trombone,  Kellin  Hannas on trumpet, Lewis Porter on piano, organ-synth and synth, Alex Tremblay and Kyle Colina on basses and Rob Landis on drums.

The sprawling 31 composition triumph pits excellent players with memorably appealing and seriously impactful compositions for one of the greatest comebacks ever. Get this one, do not hesitate. Stay tuned for a discussion of his other new release.

Peggy Stern, Z Octet

Jazz-composer-pianist Peggy Stern is new to me. Her Austin, Texas-based music is very nicely presented on her recent Z Octet (Estrella Productions).

The Octet is a lively group of musicians well attuned to Peggy's arabesques, her contemporary freshness, her well-voiced, very original contemporary approach. Peggy's piano (and vocals on one number) are joined by a somewhat unusual instrumentation of clarinet, flute, trombone, cello, bass and drums, plus Suzi Stern on vocals for two pieces.

The lines she writes have unexpected aspects and tonal yet not-at-all common touches. And the sort of thoughtful arranging of the voicings gives you a sonance that stands out. There are good players here--capable of improvisations that have the sound of surprise that goes with Peggy's music.

Pretty outstanding, this all is! Get a copy if you want to dig into something new and substantial in the jazz composition realm.