Showing posts with label jazz vocals. Show all posts
Showing posts with label jazz vocals. Show all posts

Wednesday, May 26, 2010

Patty Waters, 1965


It was December 19, 1965 when singer Patty Waters entered RLA Sound Studios in NYC to record her first record. Half of the date was devoted to her intimate, smoky chanteuse, bohemian Julie London-like torchers, with just her voice and her piano; for the second half she was joined by pianist Burton Greene’s trio. Patty’s session was soon released on ESP Disk as Patty Water Sings. It has just been reissued.

Timing in at around 30 minutes, the album is just long enough to get a good picture of Ms. Waters’ two facets. The short and evocative ballads show a moody side, the arrangement of the old folk song “Black is the Color” shows the other side. It’s dark. Burton Greene plucks strings inside the piano while bass and drums play freely. Ms. Waters starts at a whisper and climaxes in an angst ridden scream on the word “black.” It’s a tremendous moment and probably still has the capacity to shock the unwary listener. There aren’t too many things left from 1965 that can still do that. This is an important slice of an improv/jazz moment in time. It’s too bad she only made one more album but very good to have this one in print. You can check it out at the ESP website. See my links column. Originally posted on February 12, 2009 at www.gapplegate.com.

Friday, January 15, 2010

Antoinette Montague, 2010


Antoinette Montague has a new album that's coming out shortly. It's Behind the Smile (In the Groove). Now I've gotten a bit of a dose of "jazz singers" in the recent past, and I find that there are many out there who don't quite have the talent or instrument to qualify.

Based on her new CD, however, Antoinette Montague doesn't displease. She is accompanied by a quartet that can play accompaniment and swing out with good soloing, and her choice of repertoire is not cliched. There's "I Hadn't Anyone Till You," OK, but it's given a kind of New Orleans marching lilt. Then there are the lesser covered numbers, like Brubeck's "Summer Song," Big Bill Broonzy's "Give Your Mama One Smile," Duke's "23rd Psalm," and a soul classic or two, like Marvin Gaye's "What's Going On."

Her voice is drenched with the blues, has nice nuances in pitch, is dead-on for intonation, and has an appealing sound.

I've been disappointed by many contemporary singers, but not Antoinette. If you like the genre I think you'll dig her and the latest CD.