Showing posts with label louis moholo-moholo. Show all posts
Showing posts with label louis moholo-moholo. Show all posts
Thursday, March 1, 2012
Kali Z. Fasteau, Animal Grace, 2010
There is one thing about Kali Z. Fasteau's music of which you can be sure. She cannot be easily pigeonholed into a single stylistic category. Her music has free elements, world elements and her own expressive elements that set her apart. Plus she chooses wisely and carefully the artists she collaborates with on any given recording.
Today's CD is a great example of all this. Animal Grace (Flying Note 9014) combines highlights from two live sessions. The first, "Live in Harlem" finds Kali on the piano, mizmar, nai flute, voice, violin and soprano sax, in tandem with drumming legend Louis Moholo-Moholo.
There is a dynamic interaction going on, Kali playing some very nice post-Trane piano against Louis's recognizably distinct free drumming, followed by the echoed nai flute and more space for Louis. Kali uses a signal splitter in the next segment, enabling her to sing chords. A violin excursion follows, then a strong soprano-drum duet to close off the set. Moholo's attentive surges of drums give Kali a great sounding board to play off against, and in the piano and soprano segments she shines particularly brightly.
The second segment, "Live in the Alps," gives Kali a larger group to work with: Bobby Few on piano, Wayne Dockery on bass, and Steve McCraven on drums. Here Kali again shines on soprano and nai, as well as split-signal voice, mizmar, sanza and drums. It's the segments where Few does his inimitable thing, the rhythm section cooks/explodes and Kali gives forth with post-Trane sopranoisms that especially captivate. But it is captivating music all around thanks to all concerned. Kali and Bobby Few stand out the most consistently, not surprisingly, in exciting ways.
Suffice to say that this is an outing well worth your listening time. While it's not easy to pin Kali Fasteau down, it is easy to like her brand of freedom. This is a very good place to hear it.
Monday, August 2, 2010
Dennis Gonzalez Back with "Cape of Storms"

Trumpeter, leader, composer Dennis Gonzalez and his Yells at Eels band quietly, consistently are creating vital new jazz-improv music that has all the best qualities of freedom-in-structure. The new one Cape of Storms (Ayler 117) charts in with some fine music, and it only confirms that Gonzalez is on a roll.
For this one the band is joined by the formidable drummer Louis Moholo-Moholo, who as you would expect adds his personally distinct free-to-complex time groove to the band. Stefan Gonzalez as a result switches to vibes for a number of the cuts and his voice on that instrument bolsters Dennis' compositional lines in interesting ways. He can do some free soloing that sounds good too. He plays second drums for some interesting moments and does some hip percussion as well.
Tim Green plays tenor on a number of cuts and may not be as out front as some of his predecessors in the band but certainly shows he is in the spirit of the music. Aaron Gonzalez is his usual effervescent self on contrabass.
What always seems to strike me about Dennis Gonzalez's music is that he has a real sense of what grooves, lines and concepts will work with the forces at hand and he goes forward with the program in ways that leave you remembering the music vividly after hearing it a few times. And his trumpet playing is a model of style and freedom in the right combination.
So what to say? This is another excellent outing. Grab it up!
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