Showing posts with label mainstream big band jazz. Show all posts
Showing posts with label mainstream big band jazz. Show all posts

Thursday, October 6, 2011

Swingadelic Big Band Pays Tribute to Duke Pearson on "The Other Duke"


Swinga- delic holds forth at Maxwell's, Hoboken, NJ, on selected nights. A regular gig, some decent soloists and some good arrangers plying their craft on a regular basis can do wonders. We have the evidence of that in their tribute to Blue Note pianist, composer and A&R man, the late Duke Pearson, The Other Duke (Zoho 201107).

It's a straightforward, straight-ahead little big band outing that features many of Duke's most familiar tunes plus a few related ones from the dusty virtual archives of jazz memory. Hard bop funk, Blue Note boogaloo, and melodic contour pieces give you plenty to appreciate.

It's what it is. And what it is is well done. This is not groundbreaking music but it's good, solid big band and it pretty much nails some Pearson gems.

Thursday, February 24, 2011

MAC Gollehon's "Straight Ahead" Virtual Big Band


Trumpeter-trombonist-arranger Mac Gollehon has done something that is far from easy to pull off. He's created big band charts and then realized all the trumpet and trombone parts by overdubbing (except for the bass trombone, which is in the capable hands of Sam Burtis). He's then fleshed out the rest of the group with some notably great players--Victor Lewis, Warren Smith, Ronny Cuber, Ron McClure (where has he been?) and others.

The result is a swinging old-school big band date aptly titled Straight Ahead (American Showcase). The arrangements are in the idiom, and there are choice chestnuts like "Lush Life," "Round Midnight" and "Goodbye Pork Pie Hat," as well as originals.

Ron Cuber plays some absolutely devastating bop baritone, almost of the bar-walking sort. Mac is convincing as a trombone soloist and his trumpet spots sometimes go for the high-notes a la Maynard Ferguson but in general stay close to the pocket.

It's quite a feat, but more importantly it's a lively, swinging big band date that could have been made in 1962. Yeah, it's good and Mr. Cuber kicks some serious butt here.