The presence of Benjamin Duboc on double bass and Edward Perraud on drums does much to drive the music forward.
Bennani gives us at some length his characteristic sound, born of hoarse throated harmonics, swallowed notes, upper register cries and a sort of conversational phrasing. He is in fine form.
Benjamin Duboc plays with a true front-line extroversion, pizzicato-ing with torrents of notes and rumbling double stops and bowing lines that mingle and meld with Abdelhai's in interesting ways. He can and should be listened to closely in interaction with the whole.
Edward Perraud provides exemplary free drumming with exotic sound colors conjoined with dynamic set cajoling.
The music revels in a pure "new thing" derived freedom that may remind you of some of the classic ventures done over the years. The music excels in a stylistic singularity.
So though there is already much by Bennani available out there, this one by virtue of some excellent trio interactions must be counted as one of the more indispensable ones. It is not music destined for great popularity and gold records, surely. But free jazz acolytes will certainly take to it.
Go to Jan Strom's website to find out about how to order this one.