The compositions are good platforms for the blowing, the trio is in great form and everything happens as if the stars were aligned properly. Tony is of course a tenor man of consequence, someone who you know will put in a good showing for himself, and he does. Cellist Christopher Hoffman takes an active role and brings bowing, double stops and pizzicato work that ordinarily a contrabass would handle, yet of course you get that upper range here. Juan Pablo Carletti does some compositional doubling with Tony on Glockenspiel and plays some excellent group-oriented drums.
It is the kind of free but themed improvisation that grows on you. This is new music firmly in the jazz camp, free and carefully wrought. Between the three there are always interest event-inventions and after a few hearings you start to appreciate what sort of inspiration is happening.
Contemporary free jazz has good health today. It isn't gasping for air. There is a marvelous flourishing of the music all over the planet. This is a good example of its primacy! 300 copies seems too little, but it's all the more reason to grab one. The artistic merit is not at all in proportion to the maximum sales figures. No Business knows its business though, so get one of these while you can!
A very good date! Recommended.