If you revel in the extroverted and brash yet smart sort of free jazz outings, I believe the recent album A Wing Dissolved in Light (No Business NBLP 105) will appeal very much to you. The group calls itself Anemone. Those that follow the avant garde jazz scene will surely know the work of trumpetismos Peter Evans, who on this set concentrates most productively on the piccolo trumpet. Then there is tenor and soprano master John Butcher, who has made a dramatic impact on the scene for a while now. Drummer Paul Lovens has iconic status, deservedly. Joining them are two somewhat lesser-known but essential artists, Frederic Blondy on piano and Clayton Thomas on double bass, both of whom make important contributions to the whole.
Gone are the head-solos-head one-by-one improvisational routines to be replaced by the group explorations "orchestrated" by the collective intuitions, restraint versus assertion dialectics that Anemone unveil so well. If this often enough is what new free jazz favors, it nevertheless poses a great challenge to the participants, since every minute must entail careful listening and a demand to make every note count.
Anemone shows us, not surprisingly, that they are masters of the instant form collective. There is no moment when the music seems unpurposive. On the contrary it all hangs together remarkably well.
If you want to know how evolved freedom jazz can be right now, this is as good an example as any.
So pay this one close attention if you can. It rewards with some sublime spontaneity.
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