It is a full set recorded live at New York's Downtown Music Gallery last August. The outer numbers are long improv tracks with Heberer on cornet for the latter, plus PEK on tenor, piccolo oboe, clarinet and contra-alto clarinet. Glynis Lomon is on cello and aquisonic, Steve Norton on sopranino, alto clarinet, and alto sax. And Yuri Zbitnov is at the drums with resonant metal objects adding to the sound.
This is full-blown free outness in the grand tradition, spontaneous outbursts of individual and collectively free sound with all playing and hearing one another to create shifting constellations of aural expression. Thomas Heberer enters following the first long improv for a series of unaccompanied solos. Thomas shows us his smartly expressive way in a kind of tour de force of melodic invention.
The final number is a twenty-minute conflagration of Heberer and Leap of Faith joined together. It gives the entire ensemble space to open up worlds of improv and at the same time gives space as well for Heberer's voice to respond to the others and vice versa. The track has a great deal of strength and shows the complete complement of artists at their best.
All in the end is worthy ear fare. It is a fine example of Leap of Faith in its current guise and Thomas Heberer in an inspired frame of being, both with and without the ensemble.