Wednesday, March 16, 2016
Ches Smith, The Bell
These are very modern effusions that owe something to the tutelage and "good ideas" Ches absorbed from Pauline Oliveros, Alvin Curran, Fred Frith and William Winant during his studies at Mills College. But then it is what he has done with the conceptual frameworks suggested to him by these luminaries that puts his music in a special place. The pieces were written with this trio in mind, with their ability to take the frameworks and create a spontaneous in-the-moment immediacy that blossoms forth here dramatically, strikingly with the special ambient sonic carpet created by Manfred Eicher's production.
Each of the trio members make for themselves a stylistic universe that meshes together in a three-way set of travels where all get equal space and all are distinctively themselves. It so happens, happily, that Smith's music serves the originality of the three especially well. So much so that it is difficult imagining another threesome playing the music, at least not the way it unfolds on the album.
There is an intelligent introspection to this music that has the ability to break out into more extroverted dramatics without breaking stride. That is the sort of seamlessness that this music embodies.
It is something that stands out and manages to be outstanding without calling attention to itself in the more overt ways. It is a special set. Impressively, so. Movingly, so.
If you happen to be in NYC on this March 25th, the trio is playing at the Rubin Museum of Art. Check the net listings for details.