Krasilnikov plays soprano and c-melody saxophone, and writes the fascinating intricacy of the some seven compositions in part reflecting time spent at Berklee College, Boston sessions and New York Apple Core Moments before returning to Moscow, and creating this exciting large band offering among other albums. Little-by-little the music reinvents your ears in an exuberant super FreeBop topping off.
You hear echoes of Shorter, Tristano, Hancock, Gill Evans as you forward ahead to a beyond slot.
Chromatic runs of delicious ambiguity fill your ears thanks to sax, band and piano. As you listen by track five you start to meet happily the irrepressible flow and facticity from Krasilnikov, then the pianist too starts flowing very nicely as well, almost in a Tristano Atlantic mode. The quartet starts off the album and they are good. Others are added more or less consistently for the big band culmination. Listen to this one!
Check the whole album on Bandcamp https://rainydaysrecords.bandcamp.com/album/bloody-belly-comb-jelly