It covers three sessions, from 1970, around 1976 and around 1967-68, respectively. The first locks in with Lennie Popkin on saxaphone, the second with Connie Crothers also on piano, and the third tandems Tristano with drummer Roger Mancuso.
The sound quality is good and the music inspired, a freely articulated kind of Avant Post-Bop/Late Bop. There is no flagging, nothing cliche, nothing humdrum, in other words it is all we might hope for and expect.
So there is a wonderful wealth of late FreeBop lucidity in the sessions with Lennie Popkin, and as you listen you realize that Popkin was and is yet another articulate and swinging saxman of the Lennie School, in my count the third after Konitz and Marsh, sounding really inspired here.
The duos with the great Connie Crothers is supremely out there in the happiest ways and are worth the price of admission alone.
And then with Roger Mancuso as duo-mate we enjoy Lennie with some nicely propulsive drumming--very forward moving in ways that suggest that Lennie here welcomes a more busy drum presence than he is sometimes accused of not abiding. Listen to their improvisations off of "You Stepped Out of a Dream" and you will hear some exciting fare! But it is all good.
All coms across as super together improvs, first-rate later Tristano that anyone who appreciates the truly MODERN world of his spontaneous best will welcome with some joy--like I did and do! Bravo! Indispensable Tristano for all who already know or want to explore. Highly recommended.