Wednesday, July 19, 2023

Sarah Weaver, Synthesis Series, Music of Sarah Weaver and Collaborations


Composer and sound artist/improviser Sarah Weaver is one of those vital creative forces at work today in the New Jazz and Improvisation realms that makes the new, very new. There is a double album out digitally this summer but soon as a two CD-set that I've been listening to with interest. It is called Synthesis Series, Music of Sarah Weaver and Collaborations (Sync Source).

The music came naturally out of a COVID era social distancing as music meant to be performed live by members from widely disparate locations. The first most noticeable trait to this music is the appealing continuance of a long, spanning rhapsodic flow that gets its identity from composer-performer interfaces. All that is seen strongly from the beginning and the 46+ minute bird-like conference on "Integral Infinity."

Then the second part has a great inter-collaborative composition and performative thing for Gerry Hemingway and Sarah Weaver. What stands out right away is the striking blast of percussive color freely yet magnetically sounding a tattoo for our listening selves like a New Guinea slit gong sounding from an adjoining mountaintop.

Track one of album two,  "Isomorphic Now"  develops even further the long interactive song warbling as played beautifully by each of the melodically situated instruments.

The fourth and final soundblock begins with low notes from the  lower horns and then others wing into an interlocking intervallic lengthening.

The performers play a key role as color brushes, as improvisers, as artfully situated in Ms. Weaver's compositional matrix. They in so doing help make the music a sublime success, thanks especially to the overall directive,  completely sympatico retation to her and what sound and pronounced ambience she looks for. So kudos to Jun Sung Choi (vocals), Jane Ira Bloom (soprano sax), Marty Ehrlich (clarinete woodwinds), Ned Rothenberg (alto sax, woodwinds), Ray Anderson (trombone), Dave Taylor (bass trombone), Mark Helias (contrabass), Gerry Hemingway (percussion, co-composer on piece #2), Sarah Weaver (composer, conductor, improviser, computer music), and Robert Dick (flute, contrabass flute).

All this takes place with a kind of classic New Music certitude. Ms, Weaver clearly occupies an comfortable perch among the prevailing avant winds folks. She does not follow a predictable path as far as what generally gets forward in some typical stylistic byways and cross currents. So I do recommend you pay serious attention to this. Bravo.

Hear related works played live at this link:

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