Showing posts with label Baertsch's minimalism and its maximal groove quotient. Show all posts
Showing posts with label Baertsch's minimalism and its maximal groove quotient. Show all posts

Thursday, July 9, 2009

Nik Baertsch's Second: Groovy Minimalism Redux

Since I'll be looking at the first seven releases on Ronin Rhythm here and at my other site www.gapplegate.com/musicalblog.htm, I won't go into the background every time (see the first post on Baertsch from last month).

OK, so today we have a look at the 2006 release Randori which documents Ritual Groove Music No. 2 from 2002. It shows Baertsch moving solidly into a minimalist rock-funk with his small-to-mid-sized ensemble. There are polyrhythms, Headhunters-style grooves with the emphasis on trance, and a superficial resemblance to the Necks' repetition jams but more African inspired and with every instrument playing a well defined role in the total mix. In that way, they are quite apart from the Necks' approach. This is ritual mesmerization without expectations that anybody is going to play a "solo" exactly.

If you find those parameters attractive then I believe you will find excellent listening on Randori. Variety and contrast set off the various grooves and the ensemble churns out infectious, interestingly layered vamps like a well-oiled rock machine. It's not stuffy either. It's fun.

Oh and I should mention that the Ronin series can now be purchased for download as well as on CD.