Tuesday, March 15, 2016
Albert Ayler, Bells/Prophecy Expanded Edition
The Prophecy sessions go back a year to June of 1964, just a month before the seminal Spiritual Unity date inaugurated the Ayler sound that was to be so revolutionary and influential in the new jazz community. Like that studio session Ayler joins with Gary Peacock on bass and Sunny Murray on drums--for an extended live recording on location at the Cellar in NYC. What you hear as the cuts following Bells on CD I was originally released around a decade after they were recorded as a single ESP LP entitled Prophecy. The entire CD II is a continuation of that date that was originally issued in France as Albert Smiles with Sunny. I missed that second volume completely so am especially happy to have it rejoined with the original issue.
It is a thoroughgoing exercise in Albert's patented fire-tongued tenor effusions with long versions of his classics from the era and a few others that never saw duplication elsewhere to my knowledge. Albert blazes with great heat, Gary Peacock has plenty of space to work on his free bass ideas and Sunny lays down the free wash of open rhythms that became so critical an aspect of free jazz from thence onwards. This may not have the concentrated impact of the studio album but it is a fine set of performances nonetheless.
It is more essential Ayler from the era.
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