Tuesday, March 1, 2016

Desert Sweets, A Place Not Meant for Birds, Biggi Vinkeloe, Mark Weaver, Damon Smith

Today another of the fine recent releases to be found on Damon Smith's Balance Point Acoustics label. Desert Sweets is the name of the trio and the album is entitled A Place Meant for Birds (bpa-5). It is a valuable addition to avant jazz discography because it gives us a nicely articulated threesome in Biggi Vinkeloe on alto and flute (an artist very worth hearing who has been some what under-recorded as a whole), Mark Weaver on tuba and didgeredoo (someone whose playing I do not know well but sounds totally appropriate here) and Damon Smith on bass, one of the master talents deserving wider recognition in the music today.

The approach is rollicking free-avant improv, with each member filling a key role. The recording is well staged with a perfect balance between the trio. Most importantly, it is a platform on which the three can excel at creating considerable spontaneous interest.

Biggi has a way about her. She is on the outside edge of the music yet there is also a lyrical side that shows here, nicely contrasting with Damon's advanced sound color bass adventures and Mark's tuba textures and good note choices.

There are seven segments that hold our interest. One includes a poem recitation by Lisa Gill that broadens the scope nicely.

It may be a bit of a sleeper of an album. Those who do not know the artists well may not find this album in their hands unless someone calls it out to them. I am doing that today because it is music that keeps sounding better to me the more I listen to it. The beauty of Ms. Vinkeloe's approach, the excellent improvisational bass lines and the nice color additions of Weaver's tuba show us an collective artistry that dwells in a rarified space where the lines work together yet each instrumentalist adds much of her-his own personal way.


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